Entertaining Peery: Prometheus. (2012) Scott.
June 19, 2012 § 3 Comments
I want to preface this review by stating that there is not many sci-fi franchises I like better than the Alien cycle. Aliens was the first film I ever recorded off TV (my uncle’s house had HBO) with a VCR. The “Alien Trilogy” was the first boxed set of VHS tapes I ever bought. I played all the “Aliens” arcade and home video games and the ones that would spawn the Alien vs. Predator films. I steeped myself in the background. As I write this review, the Aliens Colonial Marines Technical Manual sits on the shelf above me. I even had the privilege and delight to read the game design document that Icarus Studios pitched to 20th Century Fox (I assume, I never was clear on the client) for a three faction MMORPG.
I love Alien, which I saw after Aliens, and how it is profoundly Lovecraftian in its suspenseful build up and how it is three parts horror, one part Sci-Fi. Also, the story of Alien is more or less the retelling of Stoker’s description of Dracula’s journey on board the ship Demeter on his way to London. Alien is a combination of gothic (the ship Nostromo and the refinery it tows even looks like a castle) and Lovecraftian/monster horror. Better yet, it is well done and one can delve into many, many aspects of the film, which I have attempted when presenting academic papers on Sci-Fi monsters and robots to my peers at conferences.
Suffice it to say, I have given more than passing interest to these films. Ridley Scott, a frequent subject of my academic delvings, started his career in science fiction with Alien, and after his next film, Blade Runner, would not revisit the genre until Prometheus, thirty years later. (Ironically, a Blade Runner sequel may follow this film.) I was extremely interested in this film, and what it would add it to the greatest Sci-Fi cycle. It is as if Scott is returning to the old neighborhood home and, honestly, Prometheus is really almost more of a new coat of paint on Alien than a new film.
SPOILER WARNING (but hey the trailers show everything anyway)
The film takes more than a few pages and ideas from Von Daniken and the more recent “Ancient Aliens” TV show on cable. At the start of the film the audience is treated to a sequence with a robed entity, marooned/sacrificed on a primordial Earth and a large UFO saucer leaving him to, ostensibly, seed the ooze with DNA to create life on Earth. OK, so I wouldn’t have guessed that the Engineers/Pilots (the IP called them “Pilots” first) looked like hair-less, albino, NBA players.
After this reveal we pretty much do not have any of the suspense or horror of the previous films. This story has played out a few times over the course of the series. We know that a crew of humans will go out and a single person(or a few) will come out. We see some variations on the Xenomorph, and some things with tentacles which may be the Lovecraftian nod, if ham-fisted, but the grown up “child” of Elizabeth really looked like a scaled down version of the “alien” from Moore’s graphic novel The Watchmen. Even the latest Predator film, Predators, managed some interesting twists beyond the previous four films where these ultimate hunters appear. Even, Cameron’s “sequel” to his Aliens, Avatar, managed to be more interesting, and if you squint and notice the “wink, wink, nudge, nudge” even that the film fits into the series better than Prometheus. If anything, Prometheus muddies the Alien IP and story chronologies further.
The only thing slighty positive I can say about the film is if you never saw any of the others it may stand up to scrutiny better. However, this was not the audience Scott should have been aiming for. He certainly is not taking out the dents and tarnish that have been appearing on his oeuvre. It really sort of makes me dread what he has cooked up for Blade Runner.